Thousands of years ago in Mesopotamia letters written on tablets to exchange information of every nature were sent in clay ‘envelopes’. Three large portions of these envelopes, part of a discovery which is exceptional for the number and state of conservation of the artifacts, is the outcome of an archaeological excavation campaign in Iraq carried out by the University of Pisa in collaboration with the University of Siena and the Iraqi University of Al-Qadisiyyah. In particular, the archaeologists found a hundred or so fragments with cuneiform script dating back to the beginning of the 2nd millennium BC, eight of which intact or almost, as well as a rich array of ceramics and more than ninety ‘cretulae’, or rather blocks of clay with seal or string impressions which were used to secure the containers.
Credit: Universita di Pisa |
The archaeological investigations, which ended in November, were carried out at Tell as-Sadoum in central southern Iraq. The 50 hectare site, east of Najaf, on a branch of the Euphrates river, was identified as being Marad, an ancient city of southern Mesopotamia, whose history can be traced over a long period of time from the protodynastic period (3rd millennium BC) to the Neo-Babylonian Empire (1st millennium BC). In particular, the excavations were centred around a large temple at the top of the main hill and two other areas, one residential and the other a manufacturing district, where most of the cretulae and tablets were found.
Credit: Universita di Pisa |
Credit: Universita di Pisa |
“The tablets could also be enclosed in ‘envelopes’, of which we found dozens of fragments,” continues D’Agostino. "The ‘envelopes’ are containers modelled out of thin layers of clay with the subject of the message printed on the surface along with names or images, used to authenticate and guarantee the contents.”
Credit: Universita di Pisa |
Credit: Universita di Pisa |
In the fragmentary impressions brought to light during the excavations and which date back to the 3rd millennium BC, there are, for example, miniature scenes depicting heroes fighting with wild animals and imaginary creatures, enthroned divinities, a lion attacking a gazelle or rampant caprids and an elephant.
Credit: Universita di Pisa |
Source: Universita di Pisa [November 25, 2019]
* This article was originally published here
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