Greece will step up its campaign for the return of the Parthenon Marbles from Britain and expects to win more support from European peers as Brexit sees British influence wane, the Greek culture minister said.
An original sculpture of the frieze of the Parthenon is seen partially reconstructed by plaster at the Parthenon Gallery of the Acropolis Museum [Credit: Alkis Konstantinidis/Reuters] |
The British Museum in London has refused to return the sculptures - roughly half of a 160 metre frieze, the pediment sculptures and metopes which adorned the 5th century BC monument - saying they were acquired by Elgin under a legal contract with the Ottoman empire. Greece says they were stolen.
An original metope sculpture of the Parthenon is exhibited at the Parthenon Gallery of the Acropolis Museum [Credit: Alkis Konstantinidis/Reuters] |
“It is the mentality that has changed, the fact that Britain is distancing itself from the European family, it is 200 years since the Greek revolution. I think the right conditions have been created for their permanent return,” she said.
A man visits the Parthenon Gallery of the Acropolis Museum, where original sculptures and plaster cast copies of the frieze and pediment sculptures are exhibited [Credit: Alkis Konstantinidis/Reuters] |
Britain will leave the European Union on Jan. 31.
Visitors looks at original sculptures and plaster cast copies of the frieze of the Parthenon at the Parthenon Gallery of the Acropolis Museum [Credit: Alkis Konstantinidis/Reuters] |
Visitors looks at original sculptures and plaster cast copies of the frieze of the Parthenon at the Parthenon Gallery of the Acropolis Museum [Credit: Alkis Konstantinidis/Reuters] |
The British museum has said “the sculptures are part of everyone’s shared heritage and transcend cultural boundaries”.
Greece stepped up its campaign for their return after opening a new museum in 2009 at the foot of the Acropolis hill, which holds the sculptures that Elgin left behind alongside plaster casts of the missing pieces. The modern glass and concrete building’s windows reflect images of the Parthenon.
Visitors take pictures of the Parthenon seen in the background, as they visit the Parthenon temple at the Parthenon Gallery of the Acropolis Museum [Credit: Alkis Konstantinidis/Reuters] |
“Motivated by financial gain, publicity and self promotion, Elgin deployed illegal and untoward measures to extract from Greece the Sculptures of the Parthenon and a plethora of other antiquities in a blatant act of serial theft,” she said.
Source: Reuters [January 30, 2020]
* This article was originally published here
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